The Fractal Axe Fx III can get just about any Marshall tone you can think of. Keep in mind that Fractal gear is not sold in stores so you don't get all the hyped review videos. They all are much more inferior to the Fractal gear. I have tried countless software and hardware modelers and even a Kemper. I know all about the feel and tone of a roaring Marshall or other tube amps. I'm a tube amp snob for the past 30 years. You can though, run a signal from the Fractal to your interface and DAW or just use the Fractal as your interface, and then run a parallel signal (with no IR) to a power amp and cab in the room to get feedback. Getting feedback will be really hard going through an interface then using monitors or headphones. There is no latency with the Axe FX III, none! There is one caveat being a modeler. That right there is the biggest problem for not being able to nail the tone/feel etc. With plugins you have to deal with your audio interface first. Had no chance to test Audiotory Solidario and Randy, as well asĭitch all the plugins and just get a Fractal - FM3, FM9 or the best AXE FX III. Howard Benson (for high gain the HB has a distortion pedal can that sounds like the Nameless when used but many dont know this) HB alone (great work by Mike using Wizard IRs) HB with only EQ on bus, sounds great HB with a variation of EQ on bus-master etc many tonesĪudiotory Klirrton with own IR Klittron with decent IR Klittron with Decent IR and EQ on master or BusĪll decent IRs are by Mike Plotnikoff, Usually 25/30 Watt Celestion Blackbacks Gojira Gojira with own IR Gojira with decent Soldano IR Gojira with decent IR and EQ on Master-Guitar Bus STL Tones Omega Omega with own IR Omega with decent IR Omega with decent IR using 6L6 Tubes and EQ on master Omega with decent IR using E元4 Tubes and EQ on Master Omega with decent IR using K66 Tunes and EQ on Master Very nice ambient clean tones, the reverb is based on the Eventide blackhole Song Star Trails Marshall Murder One (RIP Lemmy!!) Murder One with own IRs (ok) Murder One with decent IR Murder One with Ir and EQ on Master Murder One with IR-EQ master LOUD Neural DSP Sims (Unfortunately I still do not have the Soldano)įortin Nameless Nameless with original iR by Ole Nameless with decent IR Nameless with Ir and EQ'd masterįortin Cali Cali with own IR Cali with decent IR Calie with IR and EQ on master Marshall Jubilee 2550 Alone with ok IRs (think they copied the GnRs) 2550 with decent IR 2550 with IRs and EQ on masterĮxtremely versatile like the real amp when clean 2550 in a goth track, on bass as well Marshall 2203 2203 with its best crappy IR (please softube, gemme a break) 2203 with IRs 2203 with a different IR 2203 with IR and EQ on master for the mix Used in a metal soundtrack Softube '59 plexi used on Song= SOUND TEST Marshall Plexi 1959 '59 Plexi Best with default IRs '59 Plexi With 4x12 Celestial IRs '59 Plexi With Irs and PA Ba圎Q on master The Softube Marshalls (Unfortunately I still do not have the Kerry King) I play two riffs over and over to show of the amps are actually faithfull to the tone but not the IR's punch and cab feels. Here I have the Amp Sims trying to match up and not even getting close to what was Rough cheesy riffs re recorded at home. These are tracks with a 100 watt Marshall combo Song Strength Riffs from Song Free (skip around to hear all different ways of picking like Thugs, double thumbs, skidding etc) cant do on a sim amp at all. I tried getting the most decent sounds from Softube Marshalls, Neural DSP Omega, STL Tones Howard Benson, Gojira, Nameless and Cali., NONE of the IRs with these sims got close to even the small 100 watt Marshall dfx100 Combo I have around the house. It also has two signal paths and full integration with the BIAS amplifier, allowing you to use two Amp Match amp models in the same setup.Been struggling to get the closest to a real amp for a while now, sims can not feedback, at least solid state amps have some punch from the 12inch speakers and there are other variables (some) still not even possible with sims. It comes with all the latest and greatest algorithms in our extensive research on audio signal processing, providing significantly detailed and authentic emulations of analog pedals, studio rack and tube amplifiers. The result is BIAS FX, designed from the ground up with an uncompromising approach to sound quality and maximum flexibility. Although most of these applications are variations on the same theme, we felt that the guitar world needed something new. Over the past few years, a number of powerful digital guitar and mobile app programs have changed the way you play and record millions of guitarists. BIAS FX – a virtual guitar processor, offers all the best and latest algorithms from the field of signal processing research, it presents a detailed and genuine emulation of analog pedals and studio effects racks.
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